Karela.Hello Focus Magazine!Many recent studies say the karela, or bitter melon, may help to cure many diseases, including diabetes and HIV. I don't really deal with that here though.Entry into the BBC Focus magazine video competition. Buy it now - there's stuff about the death of the sun in the March issue which will cheer you up about the future no end.Music - produced by Kevin MacLeod (incompetech.com) Focus on the...
The Memoirs of a Self-Confessed Surrealist The Memoirs of a...
A short clip of Salvador Dali's Lacemaker/Rhinoceros experiments, and a slideslow of paintings on the subject. Salvador Dali &...
Final project for my surrealism & rebellion class. Music by Galactic Agents and The Yeah Yeah Yeahs. Surrealism &...
Arturo Brachetti, the greatest quick change artist in the world, plays his own quick-change version of the most famous surrealist masterpieces. AWESOME! Best of Magic, Thames TV, 1989 ARTURO BRACHETTI:...
hello 406
The Memoirs of a Self-Confessed Surrealist The Memoirs of a...
The Memoirs of a Self-Confessed Surrealist The Memoirs of a...
A montage of 118 photos of oil paintings, mostly surrealist, from Pier Bussière - Québec. Pier Bussiere's...
Bizarre surrealist thriller. Room attendant in a hotel in Rangoon, Myanmar is chased through a wormhole by an invisible entity. Soundtrack by Mujaji Walls Have Eyes -...
A postmodern romp through existentialism and Dadaist interpretation that's fun for the whole family! Surrealist Film
opps forgot 2 remove the Drawing...
A Slideshow of Amazing paintings by the talented surrealist artists Mark Ryden and Lori Earley! Set to the music of Edward Scissorhands - Ice Dance and part of the piano duet from Corpse Bride.Purely fan made I do not own this work.For more information check their websites respectively!10,ooo views woop! Surreal Art Of...
A man struggles between what he thinks is and isn't his own reality The Surrealist
ESTE VIDEO FUE CREADO PARA CONCIENTIZAR EN EL CONTENIDO DE LA TELEVISIÓN HOY EN DÍA A LO LARGO DEL MUNDO. LA FALTA DE CULTURA Y CONTENIDO BASURA NOS ARRASTRA A UNA MUERTE VIRTUAL.TOMANDO LA MUSICA AGRESIVA DE MARILYN MANSON: COUNT SIX AND DIE DE SU ÁLBUM HOLLY WOOD IN THE VALLEY OF SHADOWNS OF DEATH, HACE UNA MAGNÍFICA COMPOSICIÓN GRÁFICA.THIS VIDEO SHOW THE LOSE CULTURE IN OUR TELEVISIÓN AROUND THE WORLD WE HAVE TO TAKE CONCIENCE ABOUT THE CONTENT OF THE TV. WITHOUT CULTURE THOUSANDS PROGRAMS ARE FAKE AND WE CREATE OUR SELF DESTRUCTION IN AI TV SURREALIST...
Man Ray, a cinematographer of surreal films, 1923 Surrealist film,...
Primetime TV appearances in America, Germany, and Japan-------------------------Phenomenon (NBC)Die Besten Mentalisten Der Welt (Pro7 Network - Cologne, Germany)W-1 (Fuji TV Network - Tokyo, Japan) Angela Funovits -...
2003, Advanced Art 1, Canon McMillan High School featured artist project, Frida Kahlo: a...
Sweet home Alabamalive Red Russian Army...
hahaha... this guy can't think for himself and reads the teleprompter. Home Shopping...
Dumbo - Pink Elephants on Techno Parade Dumbo - Pink...
Bill does a hillarious/random pub joke btw this isnt the ye olde one thats on youtube already Bill Bailey - Pub...
Dali in: chocolates Lanving, Alka-Seltzer, Veterano. Dali in some...
The Seashell and the ClergymanFrom Wikipedia, the free encyclopediaJump to: navigation, searchLa Coquille et le clergyman (English: The Seashell and the Clergyman) (1928) is considered by many to be the first surrealist film. It was directed by Germaine Dulac, from an original scenario by Antonin Artaud, and premiered in Paris on 9 February 1928.Although accounts differ, it seems that Artaud disapproved of Dulac's treatment of his scenario, and the film was overshadowed by Un Chien Andalou (1929), written and directed by Luis Buñuel and Salvador Dalí. To this day, Un Chien Andalou is considered the first surrealist film, and its foundations in The Seashell and Clergyman have been all but overlooked. However, the iconic techniques associated with surrealist cinema are all borrowed from this early film. In Lee Jamieson's own analysis of the film, the surrealist treatment of the image is clear. He writes:The Seashell and the Clergyman penetrates the skin of material reality and plunges the viewer into an unstable landscape where the image cannot be trusted. Remarkably, Artaud not only subverts the physical, surface image, but also its interconnection with other images. The result is a complex, multi-layered film, so semiotically unstable that images dissolve into one another both visually and 'semantically', truly investing in film's ability to act upon the subconscious.-- Lee Jamieson, 'The Lost Prophet of Cinema: The Film Theory of Antonin Artaud' in Senses of Cinema, Issue 44, July 2007 La Coquille et le...
The Seashell and the ClergymanFrom Wikipedia, the free encyclopediaJump to: navigation, searchLa Coquille et le clergyman (English: The Seashell and the Clergyman) (1928) is considered by many to be the first surrealist film. It was directed by Germaine Dulac, from an original scenario by Antonin Artaud, and premiered in Paris on 9 February 1928.Although accounts differ, it seems that Artaud disapproved of Dulac's treatment of his scenario, and the film was overshadowed by Un Chien Andalou (1929), written and directed by Luis Buñuel and Salvador Dalí. To this day, Un Chien Andalou is considered the first surrealist film, and its foundations in The Seashell and Clergyman have been all but overlooked. However, the iconic techniques associated with surrealist cinema are all borrowed from this early film. In Lee Jamieson's own analysis of the film, the surrealist treatment of the image is clear. He writes:The Seashell and the Clergyman penetrates the skin of material reality and plunges the viewer into an unstable landscape where the image cannot be trusted. Remarkably, Artaud not only subverts the physical, surface image, but also its interconnection with other images. The result is a complex, multi-layered film, so semiotically unstable that images dissolve into one another both visually and 'semantically', truly investing in film's ability to act upon the subconscious.-- Lee Jamieson, 'The Lost Prophet of Cinema: The Film Theory of Antonin Artaud' in Senses of Cinema, Issue 44, July 2007 La Coquille et le...
The Seashell and the ClergymanFrom Wikipedia, the free encyclopediaJump to: navigation, searchLa Coquille et le clergyman (English: The Seashell and the Clergyman) (1928) is considered by many to be the first surrealist film. It was directed by Germaine Dulac, from an original scenario by Antonin Artaud, and premiered in Paris on 9 February 1928.Although accounts differ, it seems that Artaud disapproved of Dulac's treatment of his scenario, and the film was overshadowed by Un Chien Andalou (1929), written and directed by Luis Buñuel and Salvador Dalí. To this day, Un Chien Andalou is considered the first surrealist film, and its foundations in The Seashell and Clergyman have been all but overlooked. However, the iconic techniques associated with surrealist cinema are all borrowed from this early film. In Lee Jamieson's own analysis of the film, the surrealist treatment of the image is clear. He writes:The Seashell and the Clergyman penetrates the skin of material reality and plunges the viewer into an unstable landscape where the image cannot be trusted. Remarkably, Artaud not only subverts the physical, surface image, but also its interconnection with other images. The result is a complex, multi-layered film, so semiotically unstable that images dissolve into one another both visually and 'semantically', truly investing in film's ability to act upon the subconscious.-- Lee Jamieson, 'The Lost Prophet of Cinema: The Film Theory of Antonin Artaud' in Senses of Cinema, Issue 44, July 2007 La Coquille et le...
Lisa Nova lives in a castle...somewhere.This is her gothic plea for the pleasure of company.Here's some information on the inspirations and acknowledgements for the visuals and sound.http://en.wikipedia.org/wiki/Curve_(band)Curve - check them out.For the most part, Curve's music was typified by heavy beats and densely-layered guitar tracks set against Halliday's sometimes airy, sometimes intense vocalizations of lyrics that frequently explored topics such as alienation, addiction, lust, romance, and love on the wane. While the band's early releases were either lumped in, by certain British music reviewers, with the then-popular shoegazing style of guitar-based rock music, or said to borrow heavily from Gothic Rock, their second LP Cuckoo was noted to feature a broader set of influences, such as industrial and electronica. The song used for this video is 'Fait Accompli'.http://en.wikipedia.org/wiki/Jean-Luc_GodardJean-Luc GodardHe is a French and Swiss filmmaker and one of the founding members of the Nouvelle Vague, or LisaNova: Fait...
Surrealist Genre - Dream Sequence - Non Sequitur Written and Directed by Michael Schulman Dream Sequence -...
Remedios Varo (December 16, 1908 - October 8, 1963) was a Spanish-Mexican surrealist painter. She was born in Anglés Cataluña, Spain in 1908 and died from a heart-attack in Mexico City in 1963. During the Spanish Civil War she fled to Paris where she was largely influenced by the surrealist movement. She met in Barcelona the french surrealist poet Benjamin Péret and became his wife. She was forced into exile from Paris during the Nazi occupation of France and moved to Mexico City at the end of 1941. She initially considered Mexico a temporary haven, but would remain in Latin America for the rest of her life.In Mexico she met native artists such as Frida Kahlo and Diego Rivera. However, her strongest ties would be to other exiles and expatriates, and especially her extraordinary friendship with the English painter Leonora Carrington. Her last major relationship would be with Walter Gruen, an Austrian who had endured concentration camps before escaping Europe. Gruen believed fiercely in Varo, and gave her the support that allowed her to fully concentrate on her painting.After 1949 Varo developed into her mature and remarkable style, which remains beautifully enigmatic and instantly recognizable. She often worked in oil on masonite panels she prepared herself. Although her colors have the blended resonance of the oil medium, her brushwork often involved many fine strokes of paint laid closely together - a technique more reminiscent of egg tempera. She died at the height of her career.Her work continues to achieve successful retrospectives at major sites in Mexico and the United States. Remedios Varo
Un Chien Andalou (English: An Andalusian Dog) is a 16-minute surrealist film made in France in 1928 by Spanish writer/directors Luis Buñuel and Salvador Dalí, and released in 1929 in Paris. It is one of the best-known surrealist films of the French avant-garde film movement of the 1920s. It is also considered one of the most prominent films in Spanish Surrealism. It stars Simone Mareuil and Pierre Batcheff as the unnamed protagonists.The film has no plot, in the conventional sense of the word. There are two central characters, an unnamed man and woman. The chronology of the film is disjointed: for example, it jumps from Un Chien Andalou...
The surrealist artist from Chicago working in her studio for her exhibition Paintings by...
Norwegian Dadaist Joek Friis's 1927 classic is here again at last, brought back to life for the general public courtesy of Taped Rugs Productions. Similar in style to the Dadaist/Surrealist films of Hans Richter and Viking Eggeling, Sukkeret Og Pepper (Sugar And Pepper) overlays seemingly disjointed vignettes, smudges, and situations, repeating themes and discarding logic in a bewildering cavalcade of imagery. Avant Garde recording artist Charles Goff III lends a modern interpretation to Friis's original score, incorporating a wide variety of sounds as well as several Scandanavian voices into the mix.(Part 1 Of 2) Sukkeret Og...
Surrealist video set to the tune of Radiohead's Hail to the Thief
SEE PART 1 -- http://www.youtube.com/watch?v=6YgIoeZtLfwThe surrealist artist from Chicago working in her studio for her exhibition Paintings by...
Norwegian Dadaist Joek Friis's 1927 classic is here again at last, brought back to life for the general public courtesy of Taped Rugs Productions. Similar in style to the Dadaist/Surrealist films of Hans Richter and Viking Eggeling, Sukkeret Og...
This tune is from the original soundtrack of Fellini's film Giulietta Degli Spiriti (Juliet of the Spirits) in 1965. Nino Rota composed all the music for the film. Giulietta degli Spiriti is a surrealist drama film about an Italian housewife, Giulietta (played by Fellini's wife, Giulietta Masina) explores both her subconscious and the odd lifestyle of her sexy neighbor, Suzy (Sandra Milo), to help her deal with her mundane life as well as her philandering husband (Mario Pisu). This film was Fellini's first feature length colour film. Giulietta Degli...

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