Cecilia Bartoli sings the final section of Mozart's Exsultate Jubilate.2006. Conductor: Riccardo Muti Cecilia Bartoli -...
Jubilate deo eseguito dall'orchestra e dal coro della diocesi di Roma diretti dal Maestro Marco Frisina, durante la gmg del 2000 a RomaSolisti Gianni Proietti e Paola Cecchi Jubilate Deo -...
14-Dic-2006Recital de Navidad en el Teatro Peón Contreras el jueves 14 de diciembre de 2006. Camerata Academica de Merida y Orquesta Sinfonica Juvenil de Yucatan. Director: Luis fernando Luna Guarneros. Soprano: Abigail Coral Almeida. Tercer Movimiento (Alleluja)del Motete Exsultate Jubilate de W.A.Mozart. Mozart - Alleluja...
Jubilate Homecoming ConcertApril 1, 2007University Baptist ChurchCharlottesville, VA Jubilate - In...
Jubilate Post - Tour ConcertSunday March 25, 2007 Jubilate - Salmo 150
motet (or anthem) by Hans Leo Hassler performed by the dwsChorale (David W Solomons multitracking) Jubilate Deo -...
Second (and the best :)) movement from the famous motet, written in 1773 by the young Mozart for the soprano castrato Venanzio Rauzzini.Recorded in 2002Conductor: Zubin MehtaTu virginum corona,tu nobis pacem dona,tu consolare affectus,unde suspirat cor.I don't have the first part.Third part can be found here -http://www.youtube.com/watch?v=Ozih9O4rhUY Diana Damrau:...
cant gregoria jubilate
Mozart: Exultate Jubilate k. 165Exultate, jubilate - Fulget amica diesArleen AugerSymphonieorchester des Bayerischen RundfunksLeonard Bernstein Mozart Exultate...
PROMS 2001 Renee Fleming...
Dietrich BuxtehudeJubilate Domino, BuxWV 64(Note: I made a type-o again in the title of the video. It says BuxWV68 instead of 64.. Sorry:))Jubilate Domino omnis terracantate et exultate et exultate et psallitePsallite Domino chitara et voca psalmiPsallite Domino in chitarain buccinis et voce tubaejubilate in conspectu regis Domini Buxtehude-Jubilat...
Mozart: Exultate Jubilate k. 165Tu virginum corona - AllelujaArleen AugerSymphonieorchester des Bayerischen RundfunksLeonard Bernstein Mozart Exultate...
Arleen Auger sings the opening aria and Alleluia from Mozart's ARLEEN AUGER...
The Cologne Cathedral Boys' Choir performs Giovanni Gabrieli...
Part 2 http://www.youtube.com/watch?v=wIDSKGKY5yMHi res version at http://www.elizabethparcells.com/animations.htmTranslation: Rejoice, be glad, O you blessed souls, Rejoice, be glad, Singing sweet songs; In response to your singingLet the heavens sing forth with me. The friendly day shines forth, both clouds and storms have fled now; for the righteous there has arisen an unexpected calm. Dark night reigned everywhere [before]; you who feared till now, and joyful for this lucky dawn give garlands and lilies with full right hand.You, o crown of virgins, grant us peace, console our feelings, from which our hearts sigh.Alleluja "Exsultate,...
Anna Moffo Mozart exsultate...
Le Verdi Note dell'Antoniano di Bologna cantano Verdi Note -...
Part 1 http://www.youtube.com/watch?v=fiPnSP8p5QgRejoice, be glad, O you blessed souls, Rejoice, be glad, Singing sweet songs; In response to your singingLet the heavens sing forth with me. The friendly day shines forth, both clouds and storms have fled now; for the righteous there has arisen an unexpected calm. Dark night reigned everywhere [before]; you who feared till now, and joyful for this lucky dawn give garlands and lilies with full right hand.You, o crown of virgins, grant us peace, console our feelings, from which our hearts sigh.Alleluja EPHi res version http://www.elizabethparcells.com/animations.htm2005 interview Elizabeth: As a recording, this is the best one on the site. The Motet is so standard. Every soprano who gets to a certain technical level is going to do it. It's the only Motet Mozart wrote for soprano and small orchestra with no chorus or other soloists. This can be put on a recital with piano.Charlie: How many times did you perform it before you got to the occasion of this recording?Elizabeth: Lots. This orchestra was flawless. It isn't that the Motet goes that well every time. You get lucky. You've got the right venue, you've got the right conductor, a fantastic orchestra. I was hot that night. Then it all comes together. The only flaw I can hear on that tape is when somebody in the audience coughs but the audience adds something because it's them you are bouncing it off. It's not like a straight recording. The reason this one is great is because it is live. We did it in one wash, there it was. We got to the end of it and I looked at the conductor with disbelief.Charlie: Do you say the Motet isn't terribly difficult to sing?Elizabeth: I don't say that. Here it is, everybody says Mozart is too easy for the beginners and too hard for the pros. If you take the student approach to it and just do what's on the page, it's not so hard. What's hard is when you want to do it exceptionally well. To go the extra mile with Mozart raises the difficulty. Charlie: If you are going to go the extra mile with the Motet what does that entail?Elizabeth: You sing it without flaws. Every note is in place, every phrase is shaped, every breath is full, every note is sung, every word is clear. That applies to other music but Mozart is particularly transparent so that flaws are more noticeable. To hear Mozart done clearly and flawlessly is a revelation. There's a long way between good and great. When it works, it's a feeling like no other.There is room for two cadenzas in the Motet. The point of cadenzas, as when instrumentalists use them in concertos, is to pick up a theme from the piece and develop it some more in that cadence point. If you look at the introduction in the first movement there are some violin lines that are thematic to the piece. So, for the first cadenza, I stole some of the fiddle part, developed it slightly and resolved it. I wanted the second cadenza to soar up, in one phrase, in one breath. I used the violin part in bar 18 of the introduction to Tu Virginum (sings). Only the violins get to play it. I was a little jealous so I picked that one. I didn't need to write the cadenza, I let Mozart do it! I wrote more cadenza in the score than I sang, it's a study. Charlie: Did you have any expectations that the performance we are hearing was going to be special?Elizabeth: It was Berlin. I knew that the concert was significant. It was an honor to be there. I was not intimidated but I was certainly aware of my surroundings. I did what I always do it to be at my best. It just happened that everybody else did the same thing and it was magic.Charlie: Did you get any sense about the orchestra from the rehearsal?Elizabeth: Yes. I found them highly professional, very cool. When we finished the first run-through, they honored me with a little bow applause on the music stands. I thought, well, lucky me. I've got my colleagues behind me. The conductor was very gracious. I was introduced to the orchestra as a discovery of his. It's interesting how I met him. Felix and I, the voice and guitar duo, had gone down to perform at a resort for reclusive celebrities. The conductor was taking a week or two for a rest cure there. He heard our performance. He heard us do the Adelaide for instance, the Beethoven. He asked if I'd be interested in doing a concert sometime. I said of course, just let me know Maestro and I'll be there. Not long after he worked me into his following season. Charlie: A good conductor?Elizabeth: Fantastic. The whole thing was fascinating. It becomes very meaningful when you realize where you are and who you are with. Here I am the silly naïve girl from America stepping into this amazing culture and history and singing Mozart for the Germans.Charlie: And they liked it.Elizabeth: Yea, I did all right. "Exsultate,...
Jubilate 35th Reunion ConcertApril 13, 2008, 2:30 pmUniversity Baptist Church Jubilate Reunion...
Song of adoration Jubilate servite...
renee fleming sings mozart's exultate jubilate Renee Fleming...
By the time the great Kirsten Flagstad came to record this item in London,her operatic career had already passed into legend.I hope you enjoy it.To sing as this, at 21 would be fantastic,but at 63,it's phenomenal.Any other adjectives?Kirsten Flagstad,soprano in retirement.In her 63rd year.Recorded in Kingsway Hall,London,UK.1957.JUBILATE by Bortnyansky. Kirsten FLAGSTAD....
A Baroque Cantata by Dietrich Buxtehude featuring Ian Howell, Countertenor. "Jubilate Domino"...
A tribute to Terry's younger brother (Terry's the only one we can see on the Net so far...) From a family concert in Vaison la Romaine, South of France, at Easter 2004. In spite of the sound flaws(sorry !), this document is worth posting, I think, for the performance - and its refinement : making it look easy... Lorin Wey :...
Video of Renee fleming singing mozart's Exultate Jubilate in the early 90s. Renee Fleming...
Angel Voices, aka St. Philip's Boys Choir, aka Libera Libera - Jubilate
Wolfgang Amadeus Mozart (KV 165) - Exsultate, Jubilate (Salzburg Version).1. Aria:Exsultate, jubilate,o vos animae beatae,exsultate, jubilate,Summa Trinitas revelaturet ubique adoratur,date gloriam, date illi gloriam.Summa Trias adoratur,date illi gloriam.1. Aria:Rejoice, resound with joy, o you blessed souls, rejoice, resound with joy, the Great Trinity is revealed and everywhere adored; give glory, give It glory. The Great Triad is adored, give It glory. The Academy of Ancient Music.Emma Kirkby (Soprano).Dir. Christopher Hogwood. Wolfgang Amadeus...
Luca Marenzio (1553?-1599) - Jubilate DeoWashington Cornett and Sackbutt Ensemble(Period instrument ensemble)Michael Holmes, music directorwith choir and soloists of the Basilica of the National Shrine of the Immaculate ConceptionPeter Latona, organist and choir masterLatin text:[Psalm 97: 4-9]Jubilate Deo, omnis terra;cantate, et exsultate, et psallite.Psallite Domino in cithara;in cithara et voce psalmi;in tubis ductilibus, et voce tubæ corneæ.Jubilate in conspectu regis Domini:moveatur mare, et plenitudo ejus;orbis terrarum, et qui habitant in eo.Flumina plaudent manu;simul montes exsultabunt a conspectu Domini:quoniam venit judicare terram.Judicabit orbem terrarum in justitia,et populos in æquitate.English translation:Sing joyfully to God, all the earth;make melody, rejoice and sing.Sing praise to the Lord on the harp,and with the voice of a psalm:With long trumpets, and sound of the cornet. Make a joyful noise before the Lord our king:Let the sea be moved and the fullness thereof: the world and they that dwell therein.The rivers shall clap their hands, the mountains shall rejoice togetherat the presence of the Lord: because he cometh to judge the earth.He shall judge the world with justice,and the people with equity.About the group:Fast becoming the premiere ensemble of its kind in North America, the Washington Cornett and Sackbutt Ensemble, directed by Michael Holmes, consists of early brass specialists from the Washington D.C., Philadelphia, and New York City areas. The WCSE's membership has modified and grown considerably since its inception in 1997. It has performed extensively and has been in high demand all along the east coast USA, collaborating in adventuresome programs with prominent period ensembles such as Lumen Valo (Finland), New Trinity Baroque (Atlanta), Sacra Fuma (Princeton), the Orchestra of the 17th Century (D.C.), the Washington Bach Consort (D.C.), Carmina (D.C.), Cantate Chamber Singers (D.C.), the Washington Kantorei (D.C.), and Zephyrus (Charlottesville). Its repertoire has been vast, exploring almost every possible style and region, including music from Germany, Italy, Poland, Bohemia, Moravia, Scandinavia, Spain, England and the New World. In the summer of 2001, WCSE produced its first recording of music by Gabrieli and Schütz. In August 2003, WCSE was invited to be the featured ensemble at the Historic Brass Society Festival at Yale University (New Haven, CT), and were invited to return for the next annual festival concurrent with the Baroque Performance Institute at Oberlin College. WCSE was featured in the 2004 CD recording Washington...
03 Exultate, Jubilate, K. 165- 'Alleluja' (2) Exultate,...
Jubilate 35th Reunion ConcertApril 13, 2008, 2:30 pmUniversity Baptist Church Jubilate Reunion...
Wolfgang Amadeus Mozart (KV 165) - Exsultate, Jubilate KV 165:1. Allegro: Exsultate, jubilate.Exultate, jubilate,o vos animae beatae,dulcia cantica canendo;cantui vestro respondendoPsallant aethera cum me.The Amsterdam Baroque Orchestra.Barbara Schlick (Soprano).Dir. Ton Koopman. Wolfgang Amadeus...
WOLFGANG AMADEUS MOZART (1756-1791)Motet for soprano, orchestra, and organ KV165 (158a)1. Aria: Mozart -...
The Children's Choir of Texas from the Fort Worth Academy of Fine Arts performing Jubilate Deo. Victor Johnson conducting and on piano. Jubilate Deo
Soprano : Margriet Buchberger (Germania)Orchestra : Orchestra dei Filarmonici di FirenzeDirettore : Stefano BurbiLuogo: Firenze , Educandato S.S. Annunziata - Poggio ImperialeCopyright http://www.stefanoburbi.com/ - http://www.margrietbuchberger.com15 marzo 2008 Mozart - Alleluia...
Soprano Chiong-Rong Lu sings Chiong-Rong Lu...
Third movement from the famous motet, written in 1773 by the young Mozart for the soprano castrato Venanzio Rauzzini.Second part, posted by sfkcbfhttp://www.youtube.com/watch?v=Ehnjo88_ElQMake sure that you check it out, superior performance compared to this movement. Michael Maniaci:...

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